Title III Learning Experience
Learning Context | Procedure | Instructional/Environmental Modifications | Time Required | Resources | Assessment Plan | Student Work | Reflection
|
LE Title: Native American Song and Dance |
Author(s): Theresia Giardino |
|
Grade Level: 3-4 |
School : Marcy Elementary School |
|
Topic/Subject Area: Music |
School Address: Maynard Drive Marcy, New York 13403 |
|
Email: TeeMagic@aol.com |
School Phone/Fax: 768-9890 |
|
|
LEARNING CONTEXT
Throughout their history, Native Americans have used song and dances to teach life skills such as hunting, and to tell stories. Many Native American songs and dances also celebrate the events of everyday life. They also remind people to respect one another and the things of nature. These songs and dances praise what is important in the hearts of these people and in their culture.
Connection to Standards
National Music Standards (Arts)
#2 Perform on instruments, alone and with others
a varied repertoire of music
#5 Read and notate music
#6 Listen, analyze and describe music
#9 Understand music in relation to history and culture
Social Studies Standards
Standard #1.4 Students will view historic events through the eyes of those who were there as shown through their art, writings, music, and artifacts
English Language Arts Standard
Students will read, write, and speak for information and learning
Essential Questions
What is the importance of the drum to the Native American?
Content Knowledge:
Declarative
Procedural
Sing Native American songs as well as vocable responses learned aurally
PROCEDURE
CANOE
SONG
Introduce Canoe Song explaining to the students how Native Americans have used songs and dance to teach life skills such as hunting and telling stories
Listen and perform the dance. Singing the response, having some non dancers accompany by drumming the steady eighth notes, making a crescendo on the last measure of the song.
Movement to Canoe Song:
Basic Step: Have students chant this verbal cue (Note that these words are for learning the movement pattern and do not represent the vocables in the song.
4/4 L R L R L R L L R L R L R L
Moving forward in a line Moving forward in a line
Step to the rhythm of the words. When the pattern begins with the left foot, it travels forward and slightly to the left; the left foot leads and the right foot drags or slides close behind it. Reverse when the pattern begins with the right foot.
Move in lines. For this dance, it is important that the girls and boys form separate lines of 4-5 students. The leader of each line bends his/her elbows. All others hold on to the elbow of the person in front of them.
Final Form. All the girls canoes enter first, paddling "downstream." The boy canoes then enter paddling "upstream." (Moving in contrary motion to the girls canoes. The boys canoes pass behind the girls, turn, and arrive next to the girls. Now they are moving in parallel with the girls canoes and paddle downstream in unison.
Pawnee Corn Song
EXTENDING and REFINING EXPERIENCES
Canoe Song:
Social Studies: Have students record and present stories that an older relative, friend, or neighbor tells them.
Music/Dance: Have students add motions to another Native American song and perform for class.
Science: Have students work in groups to make a canoe model. They start with a sheet of aluminum foil folded in half. They fold up the ends and corners to make it leak proof. The canoe should be wide and long. Then they float the canoe and add pennies to it, as many as they can until the canoe floats very low. They record the number of pennies. They repeat the activity with a smaller canoe, about half the size of the first one. They use the same sheet, this time with the sheet folded in half twice. What happens to its ability to float low with pennies as the canoe gets smaller? (The smaller the canoe, the fewer pennies it takes to make it float low.
Comprehension strategies: Cause and effect
Compare and contrast
Pawnee Corn Song:
Music: Have students work in pairs to create new percussion parts consisting of quarter and eight note rhythm patterns that will be used to accompany song.
English Language Arts: Have students work in pairs to create call and response sentences used for communication purposes. Then add these patterns to instruments and play for class.
INSTRUCTIONAL/ENVIROMENTAL
MODIFICATONS
Students who may have difficulty maintaining a steady beat can work along side a partner who will assist them until they can feel the beat.
TIME REQUIRED
30 minute call periods (longer if teacher wants students to make their own instruments with materials they have brought in from home)
RESOURCES
RUBRIC
|
Task Component |
5 points |
4 points |
3 points |
2 points |
1 point |
|
Rote Singing |
Was accurately sung with correct pitch |
Was nearly accurate but included a minimum of imprecise pitches |
Included the maintenance of a pitch center and a general sense of melodic direction |
Included the use of the singing voice and a general sense of melodic direction |
Did not include the use of the singing voice |
|
Rhythm |
Was accurately produced and included precise melodic rhythm |
Was nearly accurate buy lacked a precise melodic rhythm |
Was incorrect but began to approximate the teacher performed model |
Was not recognizable but included an inconsistent performance of meter beats |
Was not recognizable |
|
Movement |
Can duplicate the teachers movement with retention, with consistency of tempo, and with flow |
Can duplicate the teachers movement with retention, with consistency, but without flow |
Can duplicate the teachers movement with retention, but without consistency of tempo, and without flow |
Can duplicate the teachers movement but without retention (executing the movement pattern more than three times) |
Cannot duplicate the teachers movement |
|
Instruments |
Was accurately produced, included a knowledge of the notation, and precise melodic rhythm |
Was nearly correct but lacked the precise melodic rhythm |
Did reflect a beginning knowledge of the notation, and began to approximate the teacher performed model |
Did not reflect the knowledge of notation, but did show basic knowledge of how to play |
Did not reflect any knowledge of notation, or correct way in which to play the instrument |
REFLECTION
This learning experience was developed to go along with the Unit for the Childrens Museum entitled Moccasins and Sneakers. It was the design of the committee to include the community with the Arts programs in the area schools. This experience can easily be done at the museum, or can be taken back to the elementary school as an extension of the Childrens Museum program.