Learning Unit

Tessellmaniacs

Learning Unit Title: "Tessellmaniacs"

Author: Johanna R. Keeler

Grade Level: 7

School Address: Sackets Harbor Central School
P.O. Box 290, Sackets Harbor New York 13685,
School Phone/Fax:
(315) 646-3575

Type: Knowledge & Project Based

Subject Area:Art (This unit is taught as an
Interdisciplinary Unit with 7th Grade Math and Technology)

 

CONTENT KNOWLEDGE

Note: This interdisciplinary unit is being taught in conjunction with the 7th grade math unit on polygons. Prior knowledge, as far as mathematical vocabulary is concerned, has been established. The students begin the "Tesselmaniac" unit in math 3-4 days prior to the "Tesselmaniac" art unit. Both units end approximately the same time. The students then move on to the "Tesselmaniac" technology unit.

Declarative

Procedural

  • Identify characteristics of tessellations

 

 

  • Characteristics of M.C. Escher Tessellations

Define tessellation or tiling of the plane

  • Create three (3) original tessellations using

polygons. Employ the techniques of slide/

translation, turn/rotation and slide flip/glide

reflection.

  • Create an original tessellation using one of

the above techniques, adding art elements

of line, color and texture.

  • Create a tessellation on the computer and

print t-shirts. (Refer to "Tesselmaniac" technology unit).

  • Students will teach a 6th grade class about tessellations. (Refer to "Tesselmaniac" math unit ).

Historical background of ornamental design

 

ESSENTIAL QUESTIONS

INITIATING ACTIVITY

Each student will be given one (1) polygon shape and a piece of graph paper. The students will be asked to create a pattern using the shape. The patterns will be displayed on the bulletin board. Students will see the many different patterns that can be created from simple polygon shapes. Students have actually begun creating a tessellation!

LEARNING EXPERIENCES

(Brief overview. Detailed explanations to follow)

  1. Initiating activity.
  2. Lecture /Discussion/Use of Visual Examples to familiarize students with Art/Math vocabulary, which will connect the two subject areas.
  3. Lecture/demonstration/Use of visual examples to illustrate how to tessellate using slide/translation, turn/rotation, slide flip/glide refection.
  4. Video/Lecture/Visual Aids to introduce students to art of M. C. Escher, a twentieth century artist whosework was inspired by Moorish mosaic design.

CULMINATING PERFORMANCE

(Brief overview. Detailed explanation to follow)

Tessellation Art Project

Students will create their own original tessellation design using polygon shapes. The art elements of line, color and texture will be added to complete the project. Students will then move on to the computer lab where the Technology Teacher will instruct students in the use of "Tessellmania" software. Students will create an original tessellation on the computer, which will be printed on T-Shirts. The students will then teach a tessellation math lesson to a 6th grade class.

 

CONNECTIONS TO STANDARDS

Learning Standards For The Arts

Standard #3, Responding to and Analyzing Works of Art.

Students will reflect on, interpret, and evaluate works of art, using the language of art criticism.

Standard #3, Responding to and Analyzing Works of Art.

Standard #1, Creating, Performing, and Participating in the Arts.

Students will actively engage in the processes that constitute creation and performance in the arts.

Standard #1, Creating, Performing, and Participating in the Arts.

Standard #2, Knowing and Using Arts Materials and Resources.

Students will be knowledgeable about and make use of the materials and resources available for

participation in the arts in various roles.

LEARNING EXPERIENCES

(Detailed)

Note: This interdisciplinary unit is being taught in conjunction with the 7th grade math unit on polygons. Prior knowledge as far as mathematical vocabulary is concerned as been established.

Day 1 Concept tessellations are shapes that interlock in repeated patterns with no overlapping.

Initiating Activity: Students are each given one (1) polygon shape and graph paper.

Students are then asked to create a pattern using the shape. The finished patterns will be displayed on the bulletin board. Students will see the many different patterns that can be created from a simple polygon shapes. Students shave actually begun creating a tessellation!

Declarative Information

Concept tessellations are shapes that interlock in repeated patterns with no overlapping.

Vocabulary: Repetition, pattern, two-dimensional, three-dimensional, polygons, metamorphosis,Color value,*slide[translation], turn[rotation], slide flip[glide reflection].

*Represents art terminology [] represents math terminology.

Experience/activities to help students acquire knowledge:

Oral presentation, visual aids.

Strategies to help students construct meaning/store knowledge:

Class discussion, instructor lecture, visual aids

Description of what will be done:

shown. Each vocabulary term will be listed on the board. Students will define terms in their own words. If possible, find examples in the art room, or draw examples on the board.

 

Days 2-3Concept – techniques for tessellating a shape.

Declarative Information

Vocabulary: Review slide/translation

Experience/activities to help students acquire knowledge:

Oral presentation, visual aids, demonstration

Strategies to help students construct meaning/store knowledge:

Class discussion, visual manipulatives, guided practice

Procedural Information

Description of what will be done:

There will be a brief review of a slide/translation tessellation. Each student will receive a polygon pattern (square). ** Colored pencils will be used to color in the shape. In discussion with the class they will be reminded that the square will tessellate the plane (paper). An example will be visible in the classroom to reinforce concept. Students will create their own slide/translation tessellation using the square.

**It’s important that the students color in the polygon shape, (the back is left white), because the students will better be able to recognize a mistake when they practice the slide/translation.

Declarative Information

Vocabulary: Review turn/rotation

Experience/activities to help students acquire knowledge:

Oral presentation, visual aids, demonstration.

Strategies to help students construct meaning/store knowledge:

Class discussion, visual manipulatives, guided practice, demonstration

Procedural Information

Description of what will be done:

**It’s important that the students color in the polygon shape, (the back is left white), because they will better be able to recognize a mistake when they practice the technique of turn/rotation.

 

Declarative Information

Vocabulary – Review glide/reflection

Experience/activities to help students acquire knowledge

Oral presentation, visual aids, demonstration

Strategies to help students construct meaning/store knowledge:

Class discussion, visual manipulative, guided practice

Procedural Information

Description of what will be done:

**It’s important that the students color in the polygon shape, (the back is left white), because they will better be able to recognize a mistake when they practice the glide/reflection.

Evaluation: Finished tessellations will be displayed on a bulletin board. Designs will be critiqued.

 

Day 4 Concept Introduction of M. C. Escher art.

Declarative Knowledge

Experience/activities to help students acquire knowledge:

Video "Fantastic World of M. C. Escher".

Strategies to help students construct meaning/store knowledge:

Class discussion, visual aids, study questions

Description of what will be done:

 

CULMINATING ACTIVITY

Days 5-7 – Concept – Create an original tessellation using a polygon shape reflecting the use of one of the three (3) techniques learned earlier in the unit., slide/translation, turn/rotation, slide flip/glide reflection).

Experience/activities to help students acquire knowledge:

Oral presentation, prior knowledge retained from previous learning experiences.

Strategies to help students construct meaning/store knowledge:

Visual examples of completed projects

Procedural Knowledge

Description of what will be done:

Evaluation: (ART) See attached Rubric. (See interdisciplinary math and technology units for their rubrics)

 

Blueprint for

Performance Task Vignette

Title of task: Art Design using Tessellations

Recommended grade level: 7

Curriculum areas: Art,

Approximate time frame: 3-4 class periods

Developed by: Johanna R. Keeler

Learner Outcomes/Content

Standards/Benchmarks

Art

Students will create an original art design using

Tessellations.

Description of the task using a prompt format (FAT-P-form, audience, topic, purpose)

Since you have studied and experimented with creating tessellations and have become familiar with the art of M. C. Escher, you are now to create an original tessellation that will fill a 12"x18" paper.

Your tessellation Must employ one of the three techniques you have studied.

The following Elements and Principals of Art Should be included in your composition: Line, shape, color, texture, repetition, contrast

Finished art work will be neatly presented on black construction paper.

Student products/performances

Tessellation Art Project

Criteria for evaluating student products/performances

 

Learning Experiences

Extending and Refining

What knowledge will students be extending and refining? Specifically, they will be extending and refining their understanding of…

What reasoning process will they be using?

Describe what will be done

Art of M. C. Escher:

Assessment:

These activities will be

assessed in conjunction with the culminating project

  • Comparing X
  • Classifying
  • Inductive Reasoning
  • Deductive Reasoning X
  • Error Analysis
  • Analyzing Perspectives X
  • Constructive Support
  • Abstracting
  • Other: X

Visual observations of artwork

 

After viewing a video on M. C. Escher’s life, students will work in groups of four and complete study guide questions based on Escher, his style and other art styles that influenced him.

The following Internet locations will be made available for student use.

  • World of Escher

http://www.worldofescher.com/misc/whoweare.html

  • Welcome to M. C. Escher pages

http://www.erols.com/ziring/escher.htm

  • Index of/pub/pictures/art/M. C. Escher

http://ftp.sunet.se/pub/pictures/art/M.C.Escher/

These locations access hundreds of links ranging from art galleries displaying Escher art, student artwork, interactive art sites and tessellatiion interactive sites.

 

 

 

 

 

Rubric

Tessellation Art Project

 

Procedure

Design

Presentation

4

You developed a plan for your tessellation. It is well organized Use of selected tessellation technique is creative and well thought out.

Artwork illustrates effective use of elements and principals of art The design is creative, eye-catching and exceptionally done

Artwork is neat and properly mounted on construction paper Name is neatly written in the right hand Corner.

3

You developed a plan for your pre-tessellation Artwork illustrates use of elements and principals of art

Design meets the basic requirements of the project

Artwork is properly scented. It is well organized

2

You developed a plan for you’re tessellation, but the plan is incomplete

Your design is incomplete and not well organized. Design does not completely tessellate the paper.

Artwork is sloppily presented

1

You attempted to develop a logical plan for your tessellation, but are unsuccessful

Design does not meet rules for tessellating a surface

Artwork is not finished or presented in the proper format for presentation

 

Attachment A

"World of M. C. Escher

 

Study Guide Questions

  1. M. C. Escher only became popular shortly before his death. True or False?
  2. While living in Italy, Escher discovered that he liked the ______________structures he observed in the towns, mountains, and landscapes.
  3. In 1935, Escher left Italy and moved to __________________.
  4. What did Escher observe there that greatly influenced his art?
  5. The black birds’ tails point ___________________and the white birds’ tails point _______________ in the bird mosaic.
  6. In some of his art, Escher left the plane and entered the third ___________.
  7. How did Escher’s art style change over his lifetime.
  8. What is the name given to something that can be drawn, but not physically Constructed?
  9. The sculpture of a creature drawn by Escher represents a bird with a________________ head.
  10. Escher was obsessed with ________________, or the never-ending.